Nat Baldwin has two things going for him that are unique among the songwriters I've interviewed. The Dirty Projectors' bassist lives on the coast of Maine, an environment perfectly suited to the ideal writing environment he needs in order to be creative: total seclusion. And his background as a basketball player provides him with the inherent discipline needed to spend hours in such seclusion, immersed in the creative process.
Read MoreIt's easy to see how Marissa Nadler's experience as a songwriter is informed by her extensive experience as a visual artist. She studied illustration at the Rhode Island School of Design, where she received both her undergraduate and graduate degree. In fact, she started as a visual artist before becoming a songwriter. The intensity and honesty she exhibits as a visual artist manifest themselves in her songwriting, as you'll read, though poetry also influences how she writes. Songwriting and illustration, she says, is about "trying to find the beauty or ugliness" in a subject, using the artist's ability to approach that subject from a unique point of view. It's also about "compressing life into a couple of lines," as a good poet does.
Read MoreJosh Epstein and Daniel Zott have gotten a good amount of ribbing (and worse) in the music press for naming their band Dale Earnhardt Jr. Jr. But how is it that while Epstein and Zott get ribbed, plenty of indie rock darlings get a pass for their names? We have bands named after racquet sports, punctuation marks, makeup, and primates who live on the North Pole. There are artists named after zoo animals. I mean, I'm a huge Echo and the Bunnymen fan, but come on!
All band names have meaning in their own way. There's an element of absurdity in many of them, but there's also creativity in that absurdity. Which was kind of the point when Epstein and Zott named their band. And if you miss this point, then you've missed the very reason why they named the band Dale Earnhardt Jr. Jr. in the first place.
Read MoreIt took only a few minutes of seeing The Spring Standards in concert before I knew that this was one creative trio. I caught them here in DC at the Red Palace when they played with Ha Ha Tonka. It wasn't just the fact that Heather Robb, James Smith, and James Cleare all played every instrument at some point. It wasn't the fantastic voices or the terrific songs. It was that, as I told Robb, their set was so theatrical. It was a stage show: the way they played, the way they bantered with each other, the way they bantered with the audience.
It was like a stage show, as it turns out, for good reason: Robb is an actor by training who still is involved in theatre in New York City. She attended Syracuse University, where she majored in theatre. (In a true small world coincidence, we were both there in the Department of Drama at the same time: I as a professor and she as a student, though we did not know each other.) Robb claims to be somewhat of an introvert, something not readily apparent in her charismatic stage presence.
Read MoreJames Vincent McMorrow is nothing if not patient and methodical. A lesser songwriter might be driven crazy by the snail's pace of his writing process: it took McMorrow nearly six months to write his debut Early in the Morning (Vagrant Records). Some days he wrote only a few sentences; on others, just a few words. It would be easy to call this writer's block; after all, if you sit for a whole day and only write five or six sentences, surely your creative spigot is closed.
But this is all part of McMorrow's process, and here's the difference. Any good writer will tell you that their writing process never stops. It's happening when they eat, sleep, talk, stare, read, whatever. The actual pen-to-paper part, the end product, is only a small part of that process. Sure, it's the most gratifying, but it's only one part of many. So it's not that McMorrow writes slowly. (Well, he might, since I've haven't seen the speed of his penmanship.) Instead, he writes deliberately. And he's fine with that.
Read MoreEarlier this week I posted my interview with Mirah, and today it's Thao's turn (of Thao and Mirah, as well as Thao and the Get Down Stay Down). Thao and Mirah begin touring in May to support their album that comes out April 26 on killrockstars. I've interviewed over 80 songwriters for this site, and few (probably enough to count on one hand) mention exercise as an aid and a regular part of their writing process. But both Thao and Mirah exercise regularly and use it as a way to boost creativity. Which makes me think that if they haven't already, the should run together if they decide to write and record again. Maybe train for a 10k together.
Read MoreOne thing that distinguishes artists from everyone else is their hyperattention to their surroundings. Specifically, good lyricists (and that means songwriters and poets) see beauty in even the most mundane of things. And there's no better example of that than Mirah, who maintains a Tumblr account that features nothing but pictures of discarded banana peels she finds on the streets of San Francisco. She claims on the site that she doesn't think this has anything to do with her music, but I must disagree. It's all part of her creative package. This is exactly what makes songwriters artistic: they see purpose in everything, even (really, especially) in things that most of us never notice.
Read MoreIt's a telling indication of the depth of Jonathan Meiburg's experience that if you Google his name and search for images, you'll see a lot of birds. As any professional writer will tell you, what makes for powerful writing is engagement with the world. Good writers engage with their environment and seek out novel ways to interact with it. Of course, mere interaction with the environment isn't necessarily an indicator that you'll write well about it; to do so, you have to engage and reflect on that engagement. Ernest Hemingway experienced a couple of wars and lots of bullfighting, but it's how he wrote about those experiences that made him great.
All this is to say that this is why Meiburg, the Shearwater singer and songwriter, writes such quality music. His experience is vast: he's been to the Falkland Islands, Tierra del Fuego, an Aboriginal settlement in Australia, the Chatham Islands of New Zealand, and Baffin Island in Canada. His masters degree is in geography, and his thesis (which I am reading now) is entitled The Biogeography of Striated Caracaras (Phalcoboenus australis). Not surprisingly, Meiburg is an avid birder. As you'll read below, he spends a considerable amount of time not only writing about the natural environment but thinking about his place in it with keen metacognition.
Read my interview with Jonathan Meiburg after the video. A special thanks to Jenn Wasner of Wye Oak, who introduced me to Jonathan and affectiontely told us two "nerds" to go at it.
Read MoreThis is not an album review site, since I do that for the Washington Post. I try to maintain some sense of objectivity when I write these short pieces before my interviews. But for this, my second interview with Brian Roberts of Ha Ha Tonka, I am suspending that practice to say that Ha Ha Tonka is one of the best bands making music now. Their new album,Death of a Decade (Bloodshot Records), only futher reinforces my opinion. It's beautiful, it's soulful, it's energetic. And the four-part harmonies from these guys from the Ozark mountain region are mesmerizing. Predictably, the reviews for Death of a Decade are overwhelmingly positive. Their music has been described as indie, roots, alt-country, bluegrass, southern rock, among other label. It's hard to pin down, but that's probably why they are so good: it's got all those influences.
Read MoreJoe Michelini of River City Extension isn't the first songwriter to tell me that he uses cooking as part of his songwriting process. But he might be the first one to tell me that he uses it almost as a source of self-flagellation: when he gets writer's block, he eats and eats. Just gorges himself. Then, when he feels sufficiently terrible about doing nothing but staying inside and eating all day, he ventures out. And when he does, he sees the world in an entirely new way. Everything looks fresh, like seeing the world for the first time.
Read MoreThe Builders and the Butchers' third full-length LP, Dead Reckoning, contains lots of talk of physical calamities and destruction by wind, water, and fire. There's not much optimism in Ryan Sollee's storytelling as he explores the darker side of human nature. He explores these themes while he's fishing around the beautiful city of Portland, where he lives. The solitary act of fishing begs for solemn contemplation (at least it does for me, since I never catch anything). Sollee doesn't do any writing here; it's where the well of inspiration fills as he sits quietly. The writing comes later in a process that he calls "subconscious." It's also worth noting that Sollee used to be a biologist, and the creative process often had its genesis during his many walks in the woods.
Read MoreThere's no doubt in my mind that Jenn Wasner of Wye Oak would be lost without her phone. It's the key to her songwriting. That phone is where she documents all her observations for the day. She's constantly in touch with her surroundings, and all of her lyrical and melodic ideas that come from this connection go into the phone's voice recorder for later, when she actually writes a song. Wasner says her "switch is on all the time . . . if you're always looking around and noticing your environment, it's a big help."
What impresses me most about Wasner is that she calls herself a writer, period. And she knows that being a writer takes hard work. Like any good writer, she knows that the time spent actually crafting her words is only a small part of the writing process. Wasner recognizes that writers are always writing, even when they aren't. That is, her writing process takes place when she's driving, walking, shopping, anything. During this time, she's inventing ideas, trying out lines, just doing everything except putting pen to paper. In fact, she approaching her writing process with this wonderfully simple mantra: "living is work."
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