Posts in Power Pop
Carl Newman, The New Pornographers

At the beginning of our interview, Carl Newman of The New Pornographers said that he didn’t think he had a process. He insisted that he was “absolutely not a disciplined writer.” But as he discovered by the time we finished talking, he does have a process. In fact, it’s happening all the time, probably as you read this. 

Newman may not sit down to write every day or may not have structured writing time, but according to him, “There’s an obsession in the back of my head that always makes me think about writing. I’m distracted by the idea of songwriting.”  I get the sense that Newman is never not thinking about music. He’s always picking up words or turns of a phrase, and he’s always got melodies in his head. So it’s a nonstop process, even though it’s not a deliberate and conscious one. But the act of actually sitting down to write is “painful,” says Newman.

Read my interview with Carl Newman after the video.  We get to the bottom of his creative process, but we also talk about Infinite Jest, his obsession with 10cc, and why lyrics are such a punishing part of his songwriting process.  And course, we talk about the role that turn signals and windshield wipers play in his creative process.

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Paul Sprangers, Free Energy (redux)

When I interviewed Paul Sprangers of Free Energy in 2010, he mentioned his affinity for psychologist Carl Jung.  It's the only time I've ever heard a songwriter namecheck the father of the collective unconscious. Knowing this, then, you can read some context into our discussion about his creative process when you see words like subconscious, urge, tension, and ego. According to Sprangers, lyrics come from a place unknown even to him; his body is just a conduit for the words and ideas.  "It's all my subconscious barfing lines onto the page," he told me.

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Chris Collingwood, Fountains of Wayne

My family and I lived in upstate New York for four years, from 2002 to 2006, before we beat a hasty retreat back to our hometown of Washington, DC.  We lived in the small town of Hamilton, New York, near Syracuse, where winters can start in October and end in May. The snow never ends and the cold is unrelenting (we had 190 inches of snow our last winter there).  Yes, the countryside is beautiful, and the other three seasons are sublime--but they are far too short to really enjoy.

For some writers, this situation is ideal.  The forced isolation (unless you have snowshoes) and creative output go hand in hand: armed with bottomless hot chocolate, a pen, and a not unreasonable desire to stay warm, you can really crank out the words.  Pete Yorn, for instance, told me that if it weren't for the brutally cold winters during his undergrad days at Syracuse University, he may not have become a songwriter.

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Bill Janovitz, Buffalo Tom

It's not too often that I get to trade lines of T.S. Eliot's "The Love Song of J. Alfred Prufrock" with anyone.  So when I had the chance to do that with Bill Janovitz of Buffalo Tom, I jumped, even though the lines we traded spoke of depressing topics like unrequited love and growing old.  Such is the mind of Janovitz, though, an introspective guy whose thoughtful lyrics demand as much attention as the music. Again, not surprising considering Janovitz references Goethe's novel The Sorrows of Young Werther in conversation.

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Chris Difford, Squeeze

When Chris Difford of Squeeze sits down to write a song, there's actually two Chris Diffords in the room: the one at the desk penning the lyrics, and the one on the couch in the corner telling the one at the desk how he feels.  It's those feelings that form the basis for Difford's songs; for him, the songwriting process is "cathartic. . .like keeping a diary."

There's not much I can say in this introduction about the songwriting duo of Difford and Glenn Tilbrook that hasn't been said somewhere else.  For over 35 years, they've adhered to the same routine: Difford writes the lyrics and Tilbrook writes the music.  The result has been some of the most well-crafted and memorable pop songs: "Tempted," "Cool for Cats," "Black Coffee in Bed," "Pulling Mussels from a Shell," "Is That Love," "Hourglass,". . . the list goes on.  They are certainly one of the most legendary (and I will also say strongest) songwriting duos in rock history. If you know music, there is no need for me to extol their excellence.  But if you need proof, there's this: Difford wrote the lyrics to "Tempted" in about two and a half minutes in the back of a cab.  And that first draft was the only draft: he didn't change a word from what he wrote in that back seat.

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