Interviews

Juliette Commagere

If you happen to be eating in a restaurant and see Juliette Commagere suddenly get up from her table, notebook or iPhone in hand, and rush to the bathroom, don't be alarmed. She's in the middle of her writing process. And if you are a fan of Commagere's music, you'd be wise not to follow her in. Because she writes best when she's alone.

According to Commagere, a major shift in the inspiration phase of her writing process took place a few years ago, when she became more open to observing everything around her, not just certain things. In short, she became hypersensitive to her surroundings. That means, then, that if she hears or sees something in a restaurant that might serve as a catalyst to a song, she's going to get up and go to the bathroom to either scribble down some lyrics or sing into her iPhone.

Ben OpipariOctober 20, 2011hello stranger, juliette commagere Comment

Chuck Ragan

Man would I love to take a look inside Chuck Ragan's piano bench. Songwriting for Ragan is an intensely personal act, a type of therapy. It's something he has to do, and he really doesn't care whether anyone sees or hears what he writes. The last thing he's thinking of is turning a piece of writing into a song. That's why, according to his estimate, probably three quarters of the stuff he's written you'll never see.

And this is where the piano bench comes into play. Ragan is always writing down ideas and thoughts everywhere he goes, usually on a notepad he stuffs in his back pocket. Then when he gets home, he opens up the bench and adds those scraps of paper to the growing pile already there. Some of those scraps have been there for over five years. And that's where a lot of his song ideas originate.

Folk Rock, Punk, Rock, SideOneDummy RecordsBen OpipariOctober 19, 2011chuck ragan, covering ground, nomad by fate, sideonedummy Comment

Franz Nicolay

After reading this interview with Franz Nicolay, you'll want to do two things: brush up on your classic works of literature and practice your detective skills. Because according to Nicolay, his songs are like puzzles: he fills them with literary references waiting to be discovered and word games waiting to be solved. Nicolay is a voracious reader, so it comes as no surprise that his lyrics contain many references to works of literature, and he's constantly mining those works for a line or a reference he can stick in a song. Given the methodical nature and intensity with which he approaches his songwriting, the depth of his lyrics comes as no surprise.

Indie Rock, PunkBen OpipariOctober 5, 2011craig finn, franz nicolay, luck and courage, the hold steadyComment

Adam Turla, Murder By Death (2011)

If you go back to the first interview on this site back in June 2010, it was with Adam Turla of Murder By Death. We talked backstage at Lincoln Hall in Chicago as he lay on a couch in the green room, the victim of a pinched nerve in his back (though you never would have known it a couple hours later watching him play).

I am an unabashed Murder By Death fan. Turla writes some of the best lyrics around, and the band's music sounds like no one else (Turla describes them as "a rock and roll band with a little bit of country. There’s a cello, a guy with a low voice, and some piano. It’s music that can exist at any time. And we tell great stories.”). I have enormous respect for the reverence with which he treats his creative process. Here's a look into that process after the video as he talks about writing for the upcoming album.

Indie Rock, Indie Folk, Indie, Vagrant Records, Bloodshot RecordsBen OpipariSeptember 21, 2011adam turla, magpie, murder by death Comment

Kurt Vile

In his own words, Kurt Vile runs around like a "headless chicken" when he's on tour, so it's hard for him to write. Given that he needs a clutter-free environment ("Open space and open air in my head," he says) this is hardly surprising. Vile works best when he's away from all of his comfort zones, which explains why a trip to the countryside can often be a salve for any songwriting rut he might be in. Vile's new EP So Outta Reach comes out November 8. The EP contains five songs recorded during the sessions for his latest LP Smoke Ring for My Halo.

Indie Rock, Indie Folk, Matador Records, Mexican Summer RecordsBen OpipariSeptember 13, 2011kurt vile, smoke ring for my halo, the creature Comment

Eric Bachmann, Crooked Fingers and Archers of Loaf

Sure, Eric Bachmann is strong: he benches 240 lbs, according to his bio on the Merge Records site. But what I'm more impressed with is his mental strength. The Archers of Loaf and Crooked Fingers frontman has been known to exist on a torrid two-week writing schedule, aided by lots of coffee and easy-to-prepare food: 40 hours of writing followed by 6 hours of sleep, then repeating this cycle for up to 14 days. And it's not like he's looking over a wonderful vista while he's writing, since his ideal writing environment is a small room with confining walls painted in a dark color. But this desire for confinement is at odds with how Bachmann lives his life: he never stays in the same place for more than six months, always moving from place to place in his van. So while he's in Athens, Georgia now, he'll be gone by spring. This nomadic lifestyle is reflected in his creative process as well, because Bachmann never likes to stay too comfortable with the same method of creating songs.

Merge Records, Indie, Indie RockBen OpipariSeptember 7, 2011archers of loaf, crooked fingers, eric bachmann Comment

Matt Iwanusa, Caveman

Back in February, I got an email from Dylan Von Wagner of Linfinity. I interviewed Von Wagner for this site a while ago and reviewed the band's album Martian's Bloom for the Washington Post. His email carried a sense of urgency: You've gotta check out this new band Caveman, he wrote. He told me how talented they were and that Matt Iwanusa, their songwriter, would be a good interview for this site. I liked what I heard and filed that thought away.

The music blogosphere is littered with failed "the next big thing" or "these guys are gonna be huge" tags. Most of these promises never pan out, of course, which is why I'll never say that. But I will say this: Caveman are good. Really good. Their debut album CoCo Beware comes out September 13, and they are on tour now with The War on Drugs. Read my interview with Matt Iwanusa after the video, where he talks about how both walking the streets of New York City and the video game Galaga influence his songwriting process. Naturally, he talked to me while walking those streets.

Fat Possum Records, Indie RockBen OpipariAugust 31, 2011caveman, matt iwanuseComment

Craig Finn, The Hold Steady

The Hold Steady will begin writing material for their sixth album over the next few months. But Craig Finn, the band's lyricist, has probably been writing that material for a long time. As any good writer knows, the key to become a good writer is daily practice, just like the key to being good at anything is practice. So Finn makes a point to write every day in his journals. Though he tries to write a song each day, a lot of what he writes is reflection: what he did that day, his thoughts on the movie he saw, or what he thinks about the book he just read. When he does write a song, he does what good writers do: he lets it sit for a while, untouched, then comes back to it later when he has a new perspective.

Vagrant Records, Alternative, Indie Rock, Post Punk, Partisan Records, InfluencersBen OpipariAugust 25, 2011crag finn, the hold steadyComment

Keith Goodwin, Good Old War

It's a good thing that Keith Goodwin of Good Old War is disciplined in his songwriting process (most of the songwriters I've interviewed are, in their own words, not disciplined). His wife is due with their first child in October, so he's only got a couple more months of solitude in the house. We have four young kids, and as I told Goodwin, being a parent has actually made me more disciplined: I have limited free time, so I know not to waste the little time I do have. Parenting has a way of enforcing discipline on the writing process. But as you'll read, this may all be for naught, because in true Pavlovian fashion, it appears that all Goodwin needs to get himself writing is a good ol' slice of pizza.

Indie FolkBen OpipariAugust 18, 2011good old war, keith goodwin Comment

Richard Buckner (Part Two)

Here's the second part of my interview with Richard Buckner. You can read part one here.

Merge Records, Singer/Songwriter, Alt CountryBen OpipariAugust 10, 2011our blood, richard bucknerComment

Richard Buckner (Part One)

There's something wrong when Ke$ha is filthy rich and Richard Buckner had to drive a forklift to make ends meet. It's proof that talent isn't a great equalizer. But herein lies my ethical dilemma: I think I want Buckner to have those crazy jobs (besides driving a forklift, he's held road signs and worked for the U.S. Census), because it's those experiences and the characters he encounters there that make him a storyteller. You can't be a writer if you don't have authentic experiences. It's why megastars like Ke$ha and Katy Perry are no longer individuals: they've become corporations who are so insulated from people like you and me that all they can do is sing about overwrought and cliched topics.

Buckner lives in Kingston, New York, not far from Woodstock in the Hudson Valley. Our conversation went far longer than I had expected, so I'm posting the first part today and the second part next week. Buckner is a joy to talk to; he's got a wonderful, hearty laugh and an intensity that reflects the dedication to his craft. It's a cheerful intensity, though; he talks with a smile on his face at a pace that suggests that he has so much to say but only a limited time to get it out.

Alt Country, Merge Records, Singer/SongwriterBen OpipariAugust 3, 2011merge records, our blood, richard buckner Comments

Chris Collingwood, Fountains of Wayne

My family and I lived in upstate New York for four years, from 2002 to 2006, before we beat a hasty retreat back to our hometown of Washington, DC. We lived in the small town of Hamilton, New York, near Syracuse, where winters can start in October and end in May. The snow never ends and the cold is unrelenting (we had 190 inches of snow our last winter there). Yes, the countryside is beautiful, and the other three seasons are sublime--but they are far too short to really enjoy.

For some writers, this situation is ideal. The forced isolation (unless you have snowshoes) and creative output go hand in hand: armed with bottomless hot chocolate, a pen, and a not unreasonable desire to stay warm, you can really crank out the words. Pete Yorn, for instance, told me that if it weren't for the brutally cold winters during his undergrad days at Syracuse University, he may not have become a songwriter.

Alternative, Pop, Power Pop, Yep Roc Records, InfluencersBen OpipariJuly 25, 2011chris collingwood, fountains of wayne, sky full of holes Comments

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