Marissa Nadler needs to write. It’s a therapeutic necessity: she uses it to process the events in her life. By her account, her best music happens when that need arises. But even if that need disappeared, Nadler would still be able to write because she’s so disciplined. Like most of the songwriters I’ve interviewed, she thinks the muse is a farce: you have to work your craft, she says. “I don’t believe in the idea of the muse because I’m a big proponent of the work ethic. I don’t want people to think that my ideas just arrived on the wings of the muse. I have to work hard,” she told me.
But that doesn’t men writing every day. In fact, Nadler may go months without writing, even though she may have enough material to write about. She likes to fill the well so that when it’s time to write, she doesn’t have to search for inspiration. And when Nadler does write, she is, in her own words, “like a bat”: she needs a cool, quiet, dark room.Read More