Tim Showalter (Strand of Oaks)//Jessica Dobson (Deep Sea Diver)

The experiences of Tim Showalter (Strand of Oaks) and Jessica Dobson (Deep Sea Diver) during the pandemic couldn’t be more different. Showalter’s tour cycle for his last album Eraserland ended in February; this meant the quarantine had little impact on his songwriting cycle since he already planned on spending 2020 writing. Dobson fared differently: Deep Sea Diver released Impossible Weight in October, so of course they were unable to tour behind the album, which threw all their plans out the window.

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Langhorne Slim//Jillette Johnson

Most artists need external stimulation, some interaction with their environment, to create. That’s why the pandemic has made it difficult for songwriters: while some have taken advantage of the lull in touring to write, many others have found the isolation debilitating to their creative process. The two Nashville-based songwriters I interviewed in this video, Langhorne Slim and Jillette Johnson, have struggled at times to write songs during quarantine.

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Jeff Daniels

Sure, you know Jeff Daniels from his many films, but he's also been writing songs and playing guitar since 1976.

This is a conversation about the artistic process writ large, so if you're a songwriter, a playwright, an actor, or any combination of the three, you’ll love this interview. The playwriting process and the songwriting process overlap as Daniels effortlessly segues between the two in our discussion; at some point, he exclaims, "It's all fucking connected!"

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Patterson Hood (Drive-By Truckers) and Lilly Hiatt

There are two points during my interview with Patterson Hood of Drive-By Truckers and Lilly Hiatt when each reaches to the sky, grabs a piece of air, and pulls it down. Both were describing their songwriting process: songs come from the muse, from the sky, from somewhere they can’t explain. And it’s their duty to grab that song, pull it down, and create it.

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Sarah Beth Tomberlin

The word “processing” came up a lot in my interview with Sarah Beth Tomberlin (aka Tomberlin) when she discussed how she writes songs. She uses songwriting as a way to process the events in her life, much more so than most songwriters have shared with me. It’s difficult to write songs, for example, when things are “pleasant” in her life. “There’s no urgency to the process,” she told me.

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Elizabeth Cook and Lydia Loveless

Elizabeth Cook and Lydia Loveless have some great advice for writers of any stripe in this interview. Like Cook, I’ve always told people that good writers understand that the actual pen-to-paper part of the writing process is only a small part of it. And like Loveless, I don’t think an idea for writing has ever come after sitting down to think about what to write.

We talk about how Pilot Pens (black), hot toddies, and voodoo deities played an important role in the creative process behind their last albums. Watch our Zoom interview to find out which one of them ate corndogs on Christmas day as part of that process!

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Kathleen Edwards and Dave Hause

Dave Hause and Kathleen Edwards have known each other for a while and are huge fans of each other’s music, so this was a fun conversation on the creative process. We talked a lot about whether large expanses of time make them more productive, how reading affects their songwriting process, and what they do when they get stuck. And how twins and dogs affect their songwriting process.

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